It was that same year that Lionsgate developed Speed Racer: The Next Generation, and the Wachowskis released the American live-action film adaptation. Other Speed Racer series' followed over the years, such as The New Adventures of Speed Racer in 1993 , the Speed Racer X remake in 1997, and spinoff shorts such as Mach Girl in 2008. When it was released in the U.S. they renamed it Speed Racer. The original car-racing anime aired in 1967-68 under the name Mach Go Go Go. If it's going to be targeted toward a modern audience, I imagine it will be developed using CG animation. They didn't offer any details on the new series, including whether or not it will be live-action, traditionally animated, or CG animated. The news was confirmed by the production company, and t hey are also planning a new licensing program to reintroduce the property. With the sequels the Wachowskis had full reign, which resulted in a lot more cool action scenes and characters that just felt more alien.According to the global art licensing magazine Total Licensing (via: Anime News Network), Tatsunoko Productions is developing a new Speed Racer series that will be targeted for a "modern audience." The Matrix is built on top of a lot of highbrow philosophical ideas, but it was Joel Sliver that made it fit into a digestible 'hero's journey' archetype for the first film
The first Matrix film and the original Star Wars trilogy turned out as great as they did because the directors were forced to make compromises with producers that kept their worst impulses in check, which resulted in more 'human' films that better resonated with general audiences.
Writing and orchestrating special effect innovations are two very different skillsets.īetter directors in their position have had the sense to delegate tasks and let other members of the team make up for their weaknesses. Lucas and the Wachowskis fit that category. A lot of highly-talented technical directors are also bad at writing human characters.
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